Koan IV (2020)
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Overview
In Seán Martin’s “Koan IV”, an opening provocation suggests that the things we see continually hide the things we’d like to see. What we see after this is mist in a Scottish landscape. Martin’s patient, enigmatic film contemplates a popular image of romance and intrigue attributed to a rural identity, alluding to what is hidden, what is real and what does not exist.
